In my practice, I investigate relationships between material impermanence and trans-cultural memory. As a Filipina-Canadian artist, I am interested in complicating and re-imagining existing narratives around concepts of home, absence, and origins. My work is multi-disciplinary. I combine different visual languages, including performance, sculpture, drawing and installation. I reference forms that allude to the body as well as things that shelter the body. Simultaneously, I imagine these works as forgotten memorabilia, debris after a storm or fragmented artifacts.