Exhibitions, Installations, Commissions — Sara Jimenez

“Folding Field,” 2025, Textiles, steel, ceramics, concrete, wood, paint, Total Installation extends about 10 acres, highest point is 15 feet, Photos by Maya Ciarocchi and Stephan Hagan. (Scroll down for description)

Folding Field, Commission & Exhibition

“Why should our bodies end at the skin?” 2024, Fabric, steel, ceramics, wood, paint, multi-channel soundscape, 80 x 52 x 23 feet; Installation Photos: James Harnois, Courtesy of MadArt. (scroll down for description of the project)

Why should our bodies end at the skin?, Solo Exhibition & Commission

"the rain from dreams or from breaths," 2023, , Fabric, astroturf, paint, cement, plaster, beads, wood, sequins, trim, buttons, paint, resin, hair, 25 x 21 x 10 feet of total installation (variable); Photos by Eitienne Fossard and Rachel Uffner Gall

the rain from dreams or from breaths, Solo Exhibition

“At what point does the world unfold?”, 2022, Textiles, trim, sequins, beads, approximately 263 x 200 feet (total installation); Photos by Oz Gerard; Video Documentary and Documentation by Shira Evergreen. (scroll down for description of the projec

At what point does the world unfold?, Cornell University Commission & Biennial

“Cenotaph,” 2018, Sewn red fabric, 30 x 30 x 10 feet. (scroll down for description of the project)

Cenotaph, Exhibition & Commission

"Roots Burrow Through Stones and Hard Facts", 2021, textiles, carpets, foam and wood sculptures, wallpaper, motion detector, 3 speakers with sound, 26 x 24 x 12 feet. Photo: Etienne Frossard (scroll down for description of the project)

roots burrow through stones and hard facts, Solo Exhibition

“Hardness Is Not the Absence of Emotion (2022),” Textiles, 20 x 20 x 30 feet; Photos by Marcie Revens. (scroll down for project description)

Hardness is Not the Absence of Emotion, Solo Exhibition

"The Edge of Dwelling," 2019, Inkjet prints of colonial photography, Papier-mâché, 3 channel sound installation (in collaboration with Lau Nau ), 20 x 15 x 10 feet. Photos: Stephen Hagen and the artist. (scroll down for project description)

The Edge of Dwelling, Exhibition & Performance

Installation shots of solo exhibition at Morgan Lehman Gallery in November of 2022. Images courtesy of Morgan Lehman Gallery. (scroll down for press release)

fevered tropics, Solo Exhibition

“A Setting,” 2020, Textiles, LED lights, 2 speakers, 14 x 13 x 10 feet (scroll down for project description)

A Setting, Solo Exhibition

"Revivival," 2020, Custom printed fabric, 25 x 12 feet

Revivival, Pelham Art Center Commission

“The Scenery is Never Monotonous,” 2020, newspaper, paint, plastic, paper, wire, vinyl window tinting, 3 x 3 x 3 feet. Photos courtesy of the artist and Amy Lee Sanford . (scroll down for project description)

The Scenery is Never Monotonous, Solo Exhibition

Installation images of solo exhibition at La Bodega Gallery “Itinerant Maladies” (2018). Installation images courtesy of Daniel Kukla. (scroll down for description of the project)

Itinerant Maladies, Solo Exhibition

“Binding Time,” 2015 floral compost, fabric, 15 x 11 x 8 feet. Photos by Daniel Kukla. (scroll down for project description)

Wave Hill Winter Workspace Installation

"Abyssal," 2016, silk, debris, 40 x 24 x 8 feet, dimensions variable. installation images courtesy of Daniel Kukla. (scroll down for project description)

Abyssal, Solo Exhibition

"Recede", 2016, Printed vinyl, 32 x 9 feet and 21 x 2 feet (scroll down for project description)

Recede, BRIC Cafe Commission

"Remnants" (2016) Installation View

Remnants, Solo Exhibition

"Radiance," 2019, textiles & bells, 20 x 30 x 15 feet

Radiance, Emory's Goizueta Business School Gala Commission

Photos by Ben Semisch.

Bemis Gala Installation

Permeable Threads, Flux Art Fair Installation